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VIGINTI QUATTUOR TABULAE ERUNT PER SECUNDUS
"This website is so thorough that it's exhausting..."
Noah Robishon, Entertainment Weekly
Colorado Film Commission
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| Most Recent Update: | 29 August 2015 |
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Our virtual doors are always wide open (wider than our widescreen exhibits, if you can believe it) and your generous donations ensure that our pixels stay as sharp as our wit.
So, if you've enjoyed your panoramic stroll through film history, consider dropping a dime (or several) into our digital donation box to keep the lights on and the film rolling!
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Cinerama, CinemaScope, Vistavision, Todd-AO, Superscope, Ultra Panavision, Cinemiracle, Super Panavision, Technirama and more. | Additive, Subtractive, Cinecolor, Technicolor, Kinemacolor, Pathé Color, Kodachrome, Gaumont, Colcim, Horst, and other color systems. |
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Western Electric, RCA, DeForest, Variable Density, Variable Area, Fantasound, Vitaphone, just lots and lots of old stuff. |
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A potpourri of high resolution images reproduced directly from motion picture prints and negatives | Posters make for crummy bar bets. This little gallery shows how uninformative they can be. | Promises, Promises, Promises. The electronics industry is trying to convince us that we are facing new wonders in television. Find out the truth in this hard hitting exposé |
We're not sure why, but we've received numerous requests to make this review available again. So here it is.
Breathtaking New Digital System
Find Out Why Everyone's Raving About It.
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Is that a cool logo or what?
Guests of The American WideScreen Museum stay at the luxurious Sheraton-Town House in Los Angeles.
This may create some confusion since the Museum is located in Houston. We apologize for any inconvenience. (Free parking in Houston)
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©1995 - 2015 The American WideScreen Museum
http://www.widescreenmuseum.com
The American WideScreen Museum is a wholly owned subsidiary of Armadillo Homemade Moving Picture and Television Company,
an entirely ficticious entity located a stone's throw from delightful Houston, Texas, U.S.A.
Cop Outs and Legal Stuff
Curator's Note: Every attempt has been made to ensure the information here is correct. Since a lot of blustery rhetoric was issued in the promotion of many of these processes, it is entirely possible that factual errors do exist. We are not hypersensitive to corrections so feel free to e-mail the author with any information that you have.
Photographic illustrations on this site are copyright © by their respective holders. The images are published in the belief that it is allowed by the copyright law's fair use or quotation provisions. If any copyright holder objects to an image being included, please notify the curator and the image will be removed immediately, though probably not cheerfully.
Unless otherwise stated, all text is written by Martin B.
Hart, the Curator,
©1995 - 2015 The American WideScreen Museum
We have begun using a special watermark on illustrations contained on this site. We're always glad to provide high quality images at nominal cost to those that need them for their websites but we get a little bitchy when folks just steal them.
TERMS AND CONDITIONS THAT APPLY TO WEBSITE CONTENT Legal Firm: Miller, Colby, and Pierce, LLP
Opinions that The Sound of Music and The Greatest Story Ever Told are boring are those of the Curator and his opinions are final. Don't bother complaining. Frankly we'd send up a big cheer if someone would chop the negatives into millions of guitar picks.
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